Let's begin with Frosted Blue by Kirk Seufert. Something of a departure from Kirk's usually fiery fare, Frosted Blue soothes the viewer with, well, cool blue frost. The tan swath is something of an enigma, though, leaving critics to wonder "Would not Sand Bar have been a more appropriate title?" To which I blythely respond, "Why don't you try to create a fitting title a mere 3 minutes before a silent auction fund raiser you forgot about?" Of course, I then admit that Sand Bar would have been better, and hand them one of my brochures.
Now, onto Sarah's Trailer. Sure, it's a fine piece of craftmanship. Big, strong, sturdy and big. But to use such a beast to carry art to shows is pure folly. Notice the lack of a top. Listen, I can tell you from experience, doing 75 on a windy, rainy day sans top is quite deleterious to pastels. Thus, I'm going to have to go with Frosted Blue as "better," and thus quite purchase worthy, though it's actually gone, having been fought over at the aforementioned silent auction.
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Kirk, I can tell you are very jealous of my trailer (as you should be), but don't worry. I'll let you borrow it if you need to move any really heavy art (note: this trailer is clearly not for light-weight art!). And yes, Frosted Blue is more soothing and really would look much better in anyone's living room that this trailer, but could it haul 17 tons of concrete? I think not.
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